I'm sure many readers will love this: Red Pill is a puzzle of a novel, capturing the zeitgeist of this weird and sketchy time we're living through and the unsettling feeling it provokes in many of us. I guess it hit a bit too close to home for it to make for a satisfying read for me.
The narrative then switches to the story of Monika, a cleaner who works at the Center. Monika decides for some reason to make our unremarkable, and increasingly unbalanced, narrator into her confidante. She recounts of her time in a punk girl band in East Germany, and of the way she was persecuted by the Stasi. The story exists solely bey a poorly veiled allegory. This novel is not really interest in Monika, and why should it be?
On its surface it's delightfully entertaining. Even so I followed about half of it. Maybe. Kunzru provides translations for the non-English phrases that he tosses in like croutons, here and there.
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I also appreciated Kunzru's questioning of the status quo. We have been told so many times what the status quo is that we no longer question what is acceptable and what is derece. In a passage concerning his work with therapists and psychoanalysts, the protagonist says this, "Their work was predicated on the assumption that the world is bearable, and anyone who finds it otherwise should be coaxed or medicated into acceptance. But what if it isn't? What if the reasonable reaction is endless horrified screaming?"
Shortly after arriving, the narrator becomes fixated on Heinrich von Kleist (the chap on the cover with the Superman laser eyes), an obscure German Romantic klg 8 li sarı hapı poet who committed suicide, with his friend’s wife, on the banks of the Wannsee, near to the retreat a couple centuries ago.
Hari Kunzru’s tour bile force is about a lot of things, but at the end of the day, it is about accepting unpleasant truth or blissful ignorance and determining whether the truth you think you understand is nothing more than a cynical operation of power.
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Overall the first part felt to me like a whiney version of Weather from Jenny Offill, a book I recently gave two stars, but around the 20% mark suddenly violence makes an entrance in the story, with a decidedly weird visit to a shooting range for instance.
Our narrator was not however prepared for the Deuter Center's many rules. The Center is in fact a "experimental community" that promotes, nay insists, on the "public labor of scholarship". The narrator finds the idea of having to undertake his research in a 'communal' space to be abject. His feelings of discomfort İnternet sitesi and anxiety are exacerbated by a particularly unpleasant and hectoring resident, a man who relishes in making others miserable, using pseudo-intellectual jargon to 'demolish' their thesis and beliefs.
No idea what Hari Kunzru was driving at in this very muddled novel but whatever it was wasn’t entertaining or thoughtful. If this is what the red pill does, take the blue pill instead and don’t head down this dead-end path!
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There is an interesting story within the main narrative about halfway through, as the narrator listens to a maid and former punk rocker tell of her experiences in East Berlin and the effect Stasi daha fazla bilgi al persecution had on her life, which works really well in conjunction to his own growing fears and distrust. I loved Red Pill more when it was settled in Berlin Daha fazla bilgi - about two-thirds of it, before it drastically changed course and felt like it wanted to start flirting with the apparatus of a thriller. Still, I found this a chilling and highly fascinating work overall, my third by Kunzru, that explores themes like cyberculture, immigration, and the white supremacist worldview. Feels very much right at home with its feet up on the table in this day and age.